Manifesto video, 2013 remix

James Lamb, our fantastic colleague, and a student on the MSc in Digital Education, created a video remix of the manifesto at our request in late 2011. Last month, he decided to make a 2013 remix, because, as he says:

Influenced and informed by my own research into multimodality, I wanted to take a more critical approach to the representation of ideas within the video… Within this new version I’ve attempted to take a more rhetorical approach, where the images help to further the arguments proposed within the different Manifesto statements. I’ve also created a new soundtrack that it is intended to work more effectively alongside the images and words. I think that this new orchestration of communicational modes better represents the Manifesto (or at least, my interpretation of it).

 

A manifesto for teaching online, 2013 remix on Vimeo.

infolit ischool manifesto event in Second Life, Tuesday 13 November – all are welcome

You are cordially invited to this event in Second Life (SL), where Clara O’Shea will lead a presentation on the Manifesto along with fellow authors Jen Ross, Sian Bayne and Hamish Macleod.

The event is hosted by Sheila Webber (Sheila Yoshikawa in SL), at Sheffield University’s Second Life island, Infolit iSchool.

All are welcome!

Sheila Webber will also open a ‘remix’ exhibit of the Manifesto at the event.

manifesto remix

Jen’s ‘top tips’ for making a manifesto

In honour of the Sloan-C unconference workshop I’m running this week, I have been working on a list of tips for making a manifesto. Suggestions for additions are welcome!

1. Forget about being nice. A manifesto isn’t the place for seeing both sides of the argument. If you don’t have a clear story you want to tell, or a case you want to make, a manifesto probably isn’t the right format. If you do have that story, tell it as strongly as you can. This is (at least) half the enjoyment of writing like this. An especially useful strategy (thanks to Sian for this one) is this: if you get stuck, try to articulate what you are repudiating. Repudiating is not only great fun, it will help you to be bold. Ideally, you can come back later and change some of the points from the negative “do not do…” to the positive.

2. Word choice matters. Take time to consider the meanings of the words you are using, and to find the best one for the point you want to make. In a short piece of writing like a manifesto, every word counts, so be as precise as you can.

3. One idea per statement. Don’t try to say too much in each point. If it feels long or complicated, can you split it up into more than one statement?

4. Be brief. For maximum impact, points that are tweet-sized will be easiest to share.

5. Aim for conversation, not (necessarily) consensus. A lot of a manifesto’s value is in how it allows its authors to articulate a shared position. But the shared territory (especially in a big group) will never be absolute or unconditional. In that sense, a manifesto works best as a conversation starter, an object for discussion and debate, and a provisional set of statements that represent a moment in time, a set of circumstances, and a group of people. In other words, be bold (see point 1), but hold it lightly.

design futures archaeology deconstructs the manifesto

I’ve been wanting to say something about the Design Futures Archaeology blog, and what its author has been doing, but I’ve found it sort of intimidating :-). For the past few months, Derek Nicoll has been deconstructing the manifesto, one aphorism at a time. Each post is a meditation that uses the manifesto as a jumping off point, but ventures far and wide. He blends theory and observation with accounts of his own varied and extensive experiences, and the result is a cornucopia – dense and fascinating.

There are some themes coming through – in particular, I’ve noticed an insistence on the value of the face-to-face, and on the limits of the distance-mediated, digitally-mediated. Of course (as Derek also notes) we’re no longer usually talking about anything being one or the other – that’s something that is emerging from the ubiquity of our networked devices. As Enriquez reminds us: “mobility … dissolves the boundary between here and there, departure and return, dwelling and travelling” (2011, p.49). But anyway, the limits of particular kinds of mediations seem to be important in these posts, and I get that, especially when questions of power arise:

How does technology, and those who design, own and have power over it, make this a prepared environment for us to work within, live and socialize within and learn within? These are key questions defining who and what you can access, as the idea of when and where you can access disappears with sci-fi, wi-fi and wide-fi.

(http://defarch.wordpress.com/2012/04/05/manifesto-for-teaching-online-aphorism-no-11-visual-and-hypertextual-representations-allow-argument-to-emerge-rather-than-be-stated-part-1/)

It would be impossible to summarise even one of Derek’s posts – but I encourage you to check some of them out next time you need a strange, enriching romp.

 

ref:

Enriquez, J. (2011). Tug‐o‐where: situating mobilities of learning (t)here. Learning, Media and Technology, 36(1), pp. 39-53.

“making manifest(o)” unconference update

The planning for the Sloan-C emerging technologies for online learning unconference workshop is coming along really well. We’ve got an unconference page set up at https://plus.google.com/107734436407116596898/posts , and the other day Hamish and Jen made a video to introduce the workshop, the concept of a manifesto, and the reason why we think discussing teaching is a valuable thing to do.

For those who are interested in the conference but not in the Vegas area, a lot of work seems to be going into making virtual attendees welcome - including at the unconference.